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Henri Fantin-Latour
A plate of apples,
A plate of apples, Henri Fantin-Latour, 1861
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Henri Fantin-Latour
Jean Lucien Adolphe Jullien
1887(1887)
Oil on canvas
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Henri Fantin-Latour
Crisantemos en un florero
Crisantemos en un florero
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Henri Fantin-Latour
Roses and Nasturtiums in a Vase
Roses and Nasturtiums in a Vase
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Henri Fantin-Latour
Flower
English: Henri Fantin-Latour's ar
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Henri Fantin-Latour
Latour Bouquet of Diverse Flowers
English: Henri Fantin-Latour's art
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Henri Fantin-Latour
Vase des roses
Robertson, New York, NY
Date 1875
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Henri Fantin-Latour
Vase des roses
painting in private collection: Julian and Josie Robertson, New York, NY
Date 1875(1875)
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Henri Fantin-Latour
Portrait of Madame Leoon Maitre
1882(1882)
Medium Oil on canvas
Dimensions 127 x 140 cm (50 x 55.1 in)
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Henri Fantin-Latour
Glazen vaas met pioenen
1882
Medium Oil on canvas
Dimensions 49 x 44.3 cm (19.3 x 17.4 in)
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Henri Fantin-Latour
Kersenbloesem en violen
1876
Medium Oil on canvas
Dimensions 34.2 x 26.2 cm (13.5 x 10.3 in)
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Henri Fantin-Latour
Asters in a Vase
1875(1875)
Medium Oil on canvas
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Henri Fantin-Latour
Aardbeien in een aardewerk schoteltje
1872
Medium Oil on canvas
Dimensions 17.2 x 23.2 cm (6.8 x 9.1 in)
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Henri Fantin-Latour
Glazen schaal met witte en blauwe druiven
1864
Medium Oil on canvas
Dimensions 43 x 48 cm (16.9 x 18.9 in)
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Henri Fantin-Latour
Stilleben mit Pfirsischen
1880(1880)
Medium Oil on canvas
Dimensions 26 x 35 cm (10.2 x 13.8 in)
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Henri Fantin-Latour
White Roses
Henri Fantin-Latour (1836-1905); York Art Gallery, York, UK
Date 1875(1875)
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Henri Fantin-Latour
Still Life Glass
Date 1871
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Henri Fantin-Latour
Rosas blancas
1887(1887)
Medium Oil on canvas
Dimensions 55.5 x 70 cm (21.9 x 27.6 in)
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Henri Fantin-Latour
Vase of Peonies
1881(1881)
Medium Oil on canvas
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Henri Fantin-Latour
Immortality
Date 1889(1889)
Medium Oil on canvas
Dimensions 116.2 x 87.3 cm (45.7 x 34.4 in)
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| Henri Fantin-Latour
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French 1836-1904
Henri Fantin Latour Locations
Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
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